Girl Reading is an imaginative book that demands the attention of an imaginative reader. Spanning the centuries from 1333 to an imagined future of 2060, each self-contained (yet subtly inter-connected) story encapsulates a portrait or a picture of a girl or woman engaged in some fashion with a book or the act of reading. What, why, or even if they are actually reading the book plays a lesser part than the title suggests. Or, perhaps, plays a larger part than the reader may at first recognize. For that is the beauty and magic of this book.
Each story contains quite enough framework and materials for a sturdy, completely whole structure fully capable of standing tall on its own merit. Yet, simultaneously they each posess the power to expand and open hidden crevices wherein the reader can pour in his or her own musings and suppositions. While it may be true that any well-written book can do the same, Ward writes in such a way that I found this to be one of the most malleable reading experiences to date. What is said is remarkably rich in its own merit. But, what is not said and just ever so slightly alluded to is limitless.
Ward brings the power of visual art to the written page, with each story a canvas of innumerable interpretations and a narrative prose applied with poetic brush strokes. Connecting not just eras in time, but also diverse classes and stations in life, the filament that binds all these women together may at times seem tenuous, but is in fact ever present. They have nothing in common and yet they have everything in common.
If you are looking for a thought-provoking experience that poses more questions than answers regarding the human experience, this is the perfect book to settle into a quiet corner to engage with, not just read.